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The first official single from Revolver was " Best Love Song", which features Chris Brown. On May 4, 2011, T-Pain released a mixtape, PrEVOLVEr, in promotion of the album. The album was preceded by the release of the promotional singles " Take Your Shirt Off", " Reverse Cowgirl", and " Rap Song", as well as the single " Booty Wurk (One Cheek at a Time)", which attained mixed success on worldwide charts. T-Pain's fourth studio album, Revolver, was released in December 2011. In 2008, T-Pain appeared on several other singles by other performing artists, including " Got Money" by Lil Wayne, " The Boss" by Rick Ross, and " One More Drink" by Ludacris. Three singles were released from the album: " Chopped 'n' Skrewed", " Can't Believe It", and " Freeze". In November 2008, T-Pain released his third studio album, Three Ringz which debuted at number 4 in the United States. During 2007, T-Pain made several guest appearances on songs by other performing artists, the most commercially successful of these being " Low" by Flo Rida, which peaked at number 1 in the United States and on several national singles charts worldwide. The lead single " Buy U a Drank (Shawty Snappin')" peaked at number 1 in the United States, the follow-up single " Bartender" peaked at number 5, and " Church" was released as the album's third single. In 2007, his second album, titled Epiphany (2007), debuted at number 1 in the United States. After that, he collaborated with fellow rapper E-40 and singer Kandi Burruss on the single " U and Dat", which peaked at number 13 in the United States. Both singles, " I'm Sprung" and " I'm 'n Luv (Wit a Stripper)", peaked in the top ten on the US Billboard Hot 100. On December 6, 2005, his debut studio album Rappa Ternt Sanga debuted at number 33 on the US Billboard 200. While Pain doesn't kick off the album sounding like an artist struggling with self-identity, unfortunately, this isn’t definitive throughout.The discography of T-Pain, an American rapper and singer, consists of six studio albums, one compilation album, one soundtrack album, one instrumental album, seven mixtapes, 21 singles and nineteen music videos. “Straight” sounds like Teddy doing his best Rae Sremmurd impersonation. “Goal Line,” the Blac Youngsta-featured first single, is a rap record that should have been left on the cutting room floor. “That’s How It Go” is a better rap effort, but even the JAY-Z “Show Me What You Got” horns barely raise the record to a passable standard. The same can be said about “2 Fine,” a Ty Dolla $ign-assisted filler song that serves no purpose beyond a novelty joint from two melodic masterminds who don’t provide any of the musical mastery that they are known for. His entire rise was based on how unique his sound was compared to the climate. Oblivion's best moments are when Pain is at his most comfortable or his most daring. “Textin' My Ex” could easily be a leftover from Epiphany or Thr33 Ringz, a compliment to how the song captures so much of what is beloved about Pain’s style of everyman R&B.
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“She Needed Me” is another example of a familiar template tweaked and revamped for modern ears but nostalgic enough for old fan gravitation. “May I” is an early favorite, a curveball concept with a rapping Teddy utilizing the Talkbox tool with the same excellence as Auto-Tune. When it comes to vocal modification, there are few singers with the natural knack to mix sounds up with pleasant results. Absolute R&B allure is ushered in on “The Comeback,” a crossover between T-Pain and Ne-Yo that would have caused mountains to topple in 2008. “Cee Cee From DC” is oddly placed, but a nice change of pace with Wale. For an artist with so much range, every step beyond what’s expected will either be well-received or a complete failure, but far too often what’s unexpected on the album is also the most enjoyable. Oblivion is a good re-introduction, but it’s lengthy. 17 tracks equate to over an hour of music and far too much is fat. Yet, often times, just hearing T-Pain rap and sing is a joyous experience.